Ebooki / Pitches_Temperaments_Intervals_and_Color
.pdf
Pitches, Temperaments, Intervals, & Color-Octaves
Dameon M. Keller, 2018
Abstract
The common correlation of music notes to the 7 Chakras, based on the C major scale, is incorrect. The human body is not a keyboard, and energy is not linear, it expands from the center (C.) Further, modern pitch and temperament “standards” are incorrect for meditative, therapeutic, or brainwave entrainment music. Charts of musical temperaments provided, with variations on pitch. Each column’s color is correlative to its THz octave, utilizing the Law of Octaves. As demonstrated by the photographing of light behaving as both a particle and a wave in May of 2015, the Law of Octaves applies to the entire frequency spectrum.
The Chromatic Scale and The Solar Spectrum
The chart above correlates to Scientific Pitch of C=1Hz, A432, and other pitch and temperaments which are more natural than modern “standards,” in which the chromatic scale does not align the solar spectrum. Note that contrary to current practices of utilizing the C major scale for Chakras, the note “C” is not an octave of red, or the Root, but green, the Heart, the center. Energy is not linear like a musical keyboard, but expands outward from a central point.
The Intervals and the Brainwave Ranges
The intervals are correlative to and increase peaks in the brainwaves via Sympathetic Vibratory Resonance.
The following charts include pitch and temperament variations for side-by-side observation, with some explanatory notes on each. All charts were expanded from one octave to many, from far below the range of hearing into vibration and the brainwaves, and high up into octaves in the highest ranges of human hearing capabilities.
For audio clips of many of the scales, and more, visit
http://dameonkeller.wixsite.com/soundsgreat/sound-clips
Pythagorean Fifths the most ideal intervals, but only allows for composing and playing in C major, shown here in Scientific Pitch C=1Hz which also provides A at 432Hz
Maria Renold’s Scale of Twelve Fifths enables you to compose & play in any key, also providing both Scientific Pitch C=1Hz and A432Hz
Equal Temperament A432Hz an ok compromise for those who cannot part with keyboards and fretted guitars, a bonus is that C# is 136.10Hz Vedic Om
Equal Temperament A440Hz the modern Western “standard,” widely ignored by most of the world, too high in pitch for vocals and strings, intervals harsh and trigger base instincts, out-of-tune by definition, though only 8Hz apart from A432Hz, the whole color spectrum is shifted by one
Just Temperament A440Hz what modern Gregorian Chant, Baroque, and Barbershop Choir is in, color-octaves not aligned with Solar Spectrum
Just Temperament Scientific Pitch C=1Hz what Gregorian Chant, Baroque, and Barbershop
Choir were in prior to the modern “standards” introduced in 1892
Equal Temperament A444Hz the “Solfeggio” hoax promoters recommend this tuning pitch, misinterpreting the C at 528Hz in Helmholtz’ A440 Just Temperament, known as “Stuttgart” or “German” pitch, as the correct tuning pitch for Equal Temperament, far too high for vocals and strings, intervals even more harsh and aggravating than A440Hz, color-octaves not aligned with Solar Spectrum
Equal Temperament A435Hz the French Standard utilized throughout much of the mid to late 1800s and early 1900s
The “Solfeggio” (Hoax) Frequencies originally 6, expanded to 9. neither an actual scale - cannot play chords (no two notes in tune save for 528Hz & 396Hz,) promote a 6-note Chakra system (no crown,) promote improper use of tuning forks (clanging together to create 111Hz intervals, waving around head and body rather than tactile frequency therapy with therapeutic frequencies,) color-octaves are drastically non-correlative to the solar spectrum
The DNA Frequencies - Adenine, Thymine, Guanine, and Cytosine, as decoded
utilizing infrared and via the Law of Octaves in 1988 by Susan Alexjander and Dr. David Deamer, incl. GCD 1 & 2, ratios, brainwave correlations, not one “Solfeggio 528Hz DNA Miracle Frequency” to be found, C# Vedic OM is central to each
Color-Octaves of the Major Scales
Root |
2nd |
3rd |
4th |
5th |
6th |
7th |
|
F# |
G# |
Bb |
B |
C# |
D# |
F |
|
F |
G |
A |
Bb |
C |
D |
E |
|
E |
F# |
G# |
A |
B |
C# |
D# |
|
D# |
F |
G |
G# |
Bb |
C |
D |
|
D |
E |
F# |
G |
A |
B |
C |
|
C# |
D# |
F |
F# |
G# |
Bb |
C |
|
C |
D |
E |
F |
G |
A |
B |
|
B |
C# |
D# |
E |
F# |
G# |
Bb |
|
Bb |
C |
D |
D# |
F |
G |
A |
|
A |
B |
C# |
D |
E |
F# |
G# |
|
G# |
Bb |
C |
C# |
D# |
F |
G |
|
G |
A |
B |
C |
D |
E |
F |
|
To reiterate, according to the Law of Octaves, and utilizing a calculator to convert the octaves from Hz to THz, the C major scale is not correlative to the Chakras. I created this chart above to help familiarize musicians and artists with the color-octaves of the notes. For example, you can find the interval correlative to the root note’s complimentary color, the third in the F# scale, the fifth in the C scale, and not appearing at all in some scales. Eventually some may develop a sort of synesthesia to the coloroctaves, or correct a random case such as that of Alexander Scriabin, who saw the note
“E” as silver. Silver is not a color in the Solar Spectrum.
If the idea is that a red light, and/or a red crystal such as Carnelian will aid a Root Chakra issue, then I would not utilize a note that is an octave of green. The correct notes for the 7 Chakras System, correlative to the Glands System, according to the Law of Octaves and the Solar Spectrum are as follows:
Crown |
F |
Brow |
E |
Throat |
D# |
Heart |
C |
Solar Plexus |
Bb |
Sacral |
A |
Root |
G# |
For more information visit:
http://dameonkeller.wixsite.com/soundsgood http://dameonkeller.wixsite.com/soundsgreat
all images published and copyright 2013 – 2018 Dameon M. Keller